![]() 9.Īmerican director Matthew Ozawa is firmly grounded in the world of opera as a stage director, musician and educator. Facing a powerful adversary, she discovers the courage to stand against injustice. The contest in Fidelio between good and evil, darkness and light inspired Beethoven to create many charged musical episodes, including Leonore’s pivotal aria (“Abscheulicher!”), Florestan’s anguished solo (“Gott! Welch Dunkel hier”), a quartet of unequivocal grace and beauty (“Mir ist so wunderbar”) and rousing choral episodes that compare with the ecstatic energy of the composer’s Symphony No. The story follows Leonore who, disguised as a man, Fidelio, infiltrates a prison to find her wrongfully imprisoned husband, Florestan. For more information about San Francisco Opera livestreams, visit /online.įirst presented in 1805 to a near-empty Viennese theater due to Napoleon’s recent occupation of the city, Fidelio underwent two major revisions (and four overtures) before the composer’s ode to freedom was realized as the enduring opera it is today. Beginning in October, virtual tickets will be available for $25 to livestream the October 14, 17 and 20 performances of Fidelio. Several virtual and in-person ancillary events will be presented to foster deeper discovery. Tickets Available at and (415) 864-3330.įor the first time in its history, San Francisco Opera will livestream select performances of the new production. Chorus Director Ian Robertson, who retires this year after 35 seasons, prepares the acclaimed San Francisco Opera Chorus for two exhilarating choral highlights of the operatic repertory: the famous Act I Prisoners’ Chorus and Fidelio’s exuberant finale. Soprano Elza van den Heever stars as the opera’s heroine, Leonore, heading an all-star cast that includes tenor Russell Thomas, bass-baritone Greer Grimsley and basses James Creswell and Soloman Howard. ![]() ![]() Director Matthew Ozawa updates its original eighteenth-century prison setting to a modern government detention center. Hume Music Director Eun Sun Kim conducts this monumental work in which love and courage overcome tyranny. San Francisco Opera’s return to live performances in the War Memorial Opera House continues October 14–30 with a bold, new production of Ludwig van Beethoven’s only opera, Fidelio.
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